No one does a dark and grisly murder like the Scandinavians. The steadily rising popularity of Nordic noir is testament…
Read More →Not even Martin Scorsese loves “Oh… Rosalinda!!” That’s the territory we’re treading with this month’s Unloved. I’ve heard arguments that all…
Read More →Damian McCarthy’s “Hokum,” a wonderfully well-crafted work of Irish folk horror, is a genre film in an almost classical sense.…
Read More →10 NEW TO NETFLIX “Beast““Benedetta““Bugonia““The End of the Tour““First Reformed““HIM““Krisha““Mass““Pig““Sing Street“ 12 NEW TO BLU-RAY/DVD “28 Years Later: The Bone…
Read More →The 13th Annual Chicago Critics Film Festival, an event for which I am the co-producer and several other RogerEbert.com contributors…
Read More →In its 42nd year, the Chicago Latino Film Festival succeeds in bringing an international array of films that showcase the…
Read More →This is what The Criterion Collection does best: They take a venerated (or sometimes less-known) director, assemble their work in…
Read More →It’s a truth universally acknowledged that some literary projects are simply not meant to be reimagined as feature films or…
Read More →Coachella recently wrapped up its 25th edition, and the main takeaway was that women ruled. Superstars such as Sabrina Carpenter…
Read More →This month, the very last EbertFest took place in downtown Champaign, Illinois, in the magnificent Virginia Theater, a 1000-seat venue…
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