There’s an amazing bit of trivia about how there are so many possible shuffles of a deck of cards that…
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The first surprise screening at this year’s Fantastic Fest was, refreshingly, an honest surprise. The secret screenings over the last…
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“The Incomer” is first-time writer/director Louis Paxton’s film about a brother and sister who are the only residents of an…
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Nothing sets up the new NBC/Peacock series “Line of Fire” better than the tagline, Every Case Hits Home. Except, of…
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The Midnight Madness section at TIFF has a reputation for its histrionics and crowd-pleasing thrills, but it’s also a programming…
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Going from the Toronto International Film Festival to the genre-driven Fantastic Fest in Austin is funny for few reasons related…
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As one of the first festivals to have a slate dedicated solely to television, the 11th year of the Toronto…
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It’s always risky to opt for documentaries that rely on well-known figures. Too often, the film rests on its subject’s…
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The first episode of Sharon Horgan’s “Youth” opens with a montage of significant women thriving in middle age—Maya Angelou, Ruth…
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At RogerEbert.com, we try to assemble dispatches of three films around forms like documentary, specific programs like Midnights or Galas,…
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