It begins with your standard shot, a camera tracking through a modest but deteriorated home. In the abode’s hallways are…
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2005’s “Bunty Aur Babli” (“aur” is Hindi for “and”), directed by Shaad Ali Sehgal, is a Hindi remake of a…
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We are pleased to offer an excerpt from the latest issue of the online magazine, Bright Wall/Dark Room. Their theme for this…
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Chen Kaige’s “Farewell My Concubine” was a victim of Harvey Weinstein’s notoriously artistically corrupt studio management, leading to almost 20…
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“The Continental: From the World of John Wick” is an easy watch for fans who want just a little more…
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This past week, I had the privilege of attending the Carver-Carson Society’s Moveable Feast dinner held in Detroit’s Greenfield Village,…
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The Chicago International Film Festival—the longest-running competitive film fest in North America, mind you—just announced its full line-up for this year’s…
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In 2019, Matthew A. Cherry’s “Hair Love” became a milestone in Black animation excellence. The Kickstarter project that became an Academy…
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When the death of someone by brutal policing becomes a national issue, we don’t often get a sense of how…
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The best parts of Morgan Neville & Jeff Malmberg’s “The Saint of Second Chances” are like hearing stories from a…
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