“The Hands of Orlac,” a twisty and lurid 1924 Austrian psychodrama, was the last movie I saw in New Orleans…
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Despite its gently bummed-out vibe, “Eternal Sunshine of the Spotless Mind” is a sneakily powerful film. It’s so affecting, in…
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If the 2020s were going to be any film subgenre, they would be body horror. It’s a genre preoccupied with…
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Just when you think they’ve run out of real-life World War II stories to turn into blockbuster movies, some documents…
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This week marks the 25th anniversary of Ebertfest, Roger Ebert’s film festival hosted every year at the Virginia Theatre in…
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How will you respond if you are evaluated for another life after your death? “Nine Days” is a little but…
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Murder mysteries usually present the offense at their center as a puzzle to be solved. There’s a reason the genre…
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When Eleanor Coppola died Friday at the age of 87, it was inevitable that most obituaries would lead with the…
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The Overlook Film Festival is thankfully not a market festival. Only one of this year’s screenings was a world premiere:…
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You might not expect the passion project of the writer who brought us “Rambo: First Blood,” “Highlander,” and the action…
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