Israel defends its policy of leveling the family homes of Palestinians accused of attacks on its citizens as a deterrent.…
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“Richard Avedon: Murals” fills just one gallery of the Met, but “fills” is an understatement. These in-your-face, wall-engulfing portraits are…
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An ultra-polished survey of the artist’s works at David Zwirner — some not seen before — demonstrate how preservation and…
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Nida Manzoor’s “Polite Society” is the kind of film I didn’t know I wanted, in part because no one has…
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Co-writer/director/actor Sebastian Silva disappears midway through his new film, “Rotting in the Sun.” The prolific Silva hasn’t been as visible…
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After a breakthrough hit with the science fiction ultraviolence of “Scanners,” David Cronenberg’s last Canadian tax shelter film “Videodrome” dropped…
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“Let It Be Morning” is a quiet film that builds to a powerful ending. A steady accumulation of everyday detail…
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One of the most celebrated films of 2022 was Lukas Dhont’s Cannes prize-winner, “Close,” which affirms the Belgian filmmaker’s status…
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Latest episode – listen now!…
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If you work hard and are passionate about something, the universe will reward you in ways that you may not…
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