The breakthrough in the labor dispute, which has delayed the start of the season and has added to a turbulent…
Read More →With “Scratching the Back,” the artist creates the most colorful and unsettling Facade Commission yet, chipping away at the gray…
Read More →The sculptor of sublimely coiled wire helped erase boundaries between art, craft and the decorative arts. A long-awaited show of…
Read More →Martin Puryear’s newest and most complex work, “Lookout,” draws on the ancient method of Nubian vaulting, and the artist’s own…
Read More →Richard Linklater returned to the fest circuit this year with one of his best films, the wonderfully entertaining “Hit Man,”…
Read More →Several films at this year’s festival featured women—real and fictional—who push back against expectations of what women should be while…
Read More →Alexander Payne has been accused of looking down on his characters in films like “Election,” “Citizen Ruth,” and “Nebraska.” I’ve…
Read More →There are several good starting points but little imaginative execution in “Satanic Hispanics,” a generic horror anthology whose title promises…
Read More →Colman Domingo was the center of attention at this year’s festivities. His performances in “If Beale Street Could Talk,” “Candyman,”…
Read More →The role was created in response to the recommendations of a report that found the agency could do more to…
Read More →
