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In Congo, a Pope and a Nation Revitalize Each Other
Francis has been slowed by age. But his enthusiastic welcome in Africa has proved a shot in the arm and provided a reminder of the papacy’s global reach.
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A U.S. Ambassador Finds Himself on Hostile Ground in Hungary
David Pressman, a gay human rights lawyer, has been accused by pro-government media in Hungary of undermining traditional values, violating diplomatic conventions and meddling in the judiciary.
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U.S. to Boost Military Role in the Philippines in Push to Counter China
Washington and Manila announced a plan to give the American military access to four new locations in the Southeast Asian country, a growing strategic partner in the region.
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Israel’s Government Pushes Home Demolitions as Violence Surges
Israel defends its policy of leveling the family homes of Palestinians accused of attacks on its citizens as a deterrent. Critics say it is illegal and ineffective.
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At the Met Museum, Richard Avedon at Large
“Richard Avedon: Murals” fills just one gallery of the Met, but “fills” is an understatement. These in-your-face, wall-engulfing portraits are a milestone in image-making.
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Felix Gonzalez-Torres, a Master of Mutability
An ultra-polished survey of the artist’s works at David Zwirner — some not seen before — demonstrate how preservation and change can coexist.
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Sundance 2023: Polite Society, My Animal
Nida Manzoor’s “Polite Society” is the kind of film I didn’t know I wanted, in part because no one has made anything quite like it before. Manzoor’s influences have had similar sense and sensibilities—Edgar Wright and Quentin Tarantino, for starters—but who has mixed Jane Austen courtship with marital arts melees quite like this? Having premiered…
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Sundance 2023: Rotting in the Sun, Jamojaya, Cassandro
Co-writer/director/actor Sebastian Silva disappears midway through his new film, “Rotting in the Sun.” The prolific Silva hasn’t been as visible in movies for about five years, so it’s particularly funny to see him back on-screen, only to go missing, playing a version of himself who is exhausted with life. Doing ketamine, painting, and making movies:…
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A Vision of the Future: On David Cronenberg’s Videodrome
After a breakthrough hit with the science fiction ultraviolence of “Scanners,” David Cronenberg’s last Canadian tax shelter film “Videodrome” dropped with a whimper in 1983, under-served by distributors unnerved by its transgressive images and genre-busting approach. Occupying a space between dystopian apocalypse and queasy body horror, it wasn’t then, and isn’t now, a film easy…
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Let It Be Morning
“Let It Be Morning” is a quiet film that builds to a powerful ending. A steady accumulation of everyday detail gets it to where it needs to go. You could even say that the entire point of writer/director Erin Kolirin’s new movie is to show that, even during tense political crises where violence could erupt…