At SFMOMA, the artist enacts a parable about trauma and healing in Black life — and makes her first foray into robotics. “I went down a little sci-fi rabbit hole the last couple years working on this piece.”
Previous Story
Osgemeos Rocked Brazil. Can the Graffiti Twins Take the U.S., Too?
Next Story
Napoleon’s Loot: When the World Decided Stolen Art Should Go Back
