Full Schedule for Ebertfest 2026 Released and Individual Tickets Now On Sale

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Individual tickets for Roger Ebert’s Film Festival, widely known as Ebertfest, are now on sale. The festival’s 27th and final edition, “The Last Dance,” in Champaign, Illinois, will take place Friday, April 17th, and Saturday, April 18th. Presented by Century Law Firm, this milestone year marks a poignant farewell to one of the country’s most beloved film festivals, celebrating a legacy rooted in empathy, storytelling, and the communal power of cinema.

The festival will kick off at 9 am on April 17th with Libby Ewing’s Tribeca prize-winner, “Charliebird,” with its star and writer, Samantha Smart, in attendance. The film will be presented in partnership with the Alliance for Inclusion and Respect, and follows a music therapist who forms an unexpected bond with a young patient, unlocking the buried grief of her past in a journey of connection, loss, and healing. 

The festival’s second scheduled screening at 11:25 am will be James Vanderbilt’s acclaimed, all-star ensemble piece, “Nuremberg.” One of Ebertfest’s cherished frequent guests, Sony Pictures Classics Co-Founder and Co-President Michael Barker, will participate in a post-screening Q&A afterward. The film stars Russell CroweRami MalekLeo WoodallJohn Slattery, and Mark O’Brien, with Richard E. Grant and Michael Shannon. Set as the Nuremberg trials are about to begin, the film follows a U.S. Army psychiatrist who becomes locked in a gripping psychological confrontation with accused Nazi war criminal Hermann Göring, delivering a tense and timely examination of justice, power, and moral reckoning.

Following a break for lunch will be Luke Boyce and Michael Moreci’s new documentary on Roger Ebert, “The Last Movie Critic,” at 3:30 pm. Through the voices of filmmakers Ebert championed and the words he left behind, it explores how one man’s deep and abiding love for cinema became a gift to audiences everywhere, serving as a celebration of movies, empathy, and the belief that what we watch together can make us more human. Jennifer Shelby served as an Executive Producer on projects, while Chaz Ebert, Nate Kohn, and Brett Hays are among the producers. 

One of 2025’s beloved crowd-pleasers, “Bob Trevino Likes It,” will screen at 5:10 pm with its writer/director Tracie Laymon and star French Stewart in attendance. Inspired by a true story, the film follows Lily Trevino (Barbie Ferreira), a young woman navigating abandonment and emotional isolation, who forms an unexpected and transformative friendship with a stranger (John Leguizamo) online. 

After a dinner break, Friday will conclude with an 8:50 pm screening of Jordan Peele’s galvanizing modern classic, “Get Out.” Winner of the Best Original Screenplay Oscar, the 2017 film follows Chris (Daniel Kaluuya) as he accompanies his girlfriend Rose (Allison Williams) for a weekend visit to meet her parents (Bradley Whitford and Catherine Keener), only to uncover a series of increasingly disturbing revelations that lead to a shocking and horrifying truth. The film also features memorable turns by Lil Rel HoweryBetty Gabriel, and Caleb Landry Jones.

Moviegoers who catch the first show on April 18th are in for a serious treat: a 9 am screening of Buster Keaton’s 100-year-old uproarious masterpiece, “The General,” with its score performed live by The Anvil Orchestra. One of the most revered comedies of the silent era, the film follows Southern railroad engineer Johnny Gray, who must pursue Union soldiers after his train—and his beloved Annabelle Lee—are taken during the Civil War, leading to a series of inventive and daring comedic set pieces. Renowned organist Dr. Steven Ball will also be bringing his signature live musical interludes between screenings this year.

One of Roger’s favorite filmmakers, Gregory Nava, will return to Ebertfest for a 10:25 pm screening of his marvelous 1995 film, “My Family (Mi Familia).” Starring Jimmy Smits, Esai Morales, Jennifer Lopez, Edward James Olmos, and Constance Marie, the film tells the story of a second-generation Mexican immigrant who narrates his family history, beginning with his father, Jose, traveling from Mexico to Los Angeles, where he meets Maria and starts a family. Each subsequent generation contends with political and social hardships, ranging from illegal deportations in the 1940s to racial tensions and gang conflicts in the 1960s and 1970s. Yet through it all, the family remains strong, bound together by resilience, love, and shared history. 

Following a lunch break that will offer festival goers the opportunity to sample Mexican dishes courtesy of Mo’s Burritos, a live theatrical production will take place at 2:30 pm on the Virginia stage. Under the direction of Katlin Schneider, Windy City actors Stephen Winchell and Zack Mast will channel the titular roles in Siskel/Ebert, a hilarious recreation of the critics’ infamous 1987 episode of their groundbreaking show, in which they debated the merits of such titles as “Full Metal Jacket,” “Benji the Hunted,” and “Spaceballs.” 

Acting icons John Goodman and Judy Greer will then take the stage at 3:40 pm, along with co-directors Edd Benda and Stephen Helstad, as they present their dark comedy, “Chili Finger,” which earned raves following its recent premiere at SXSW. Shot in and around Ebert’s hometown, the film centers on Greer’s character as she discovers a severed finger in her chili, which prompts her to blackmail a fast-food chain, only to attract dangerous attention. Rounding out the impressive cast are Directed by Sean Astin, Bryan Cranston, and Madeline Wise.

The subsequent dinner break (which is guaranteed to include no severed limbs) will lead to the final film of Ebertfest, a 7:25 pm screening of 1995’s euphoric “The American President,” directed by the late Rob Reiner. Starring Michael Douglas and Annette Bening, and written by Aaron Sorkin, the film remains a defining work of modern American cinema, blending idealism, romance, and political discourse with uncommon warmth and intelligence. The screening will serve as a centerpiece of this year’s festival, celebrating Reiner’s enduring influence and his alignment with the thoughtful, audience-centered filmmaking championed by the festival’s late co-founder, Roger Ebert

“We are especially honored to recognize Rob Reiner this year,” said Chaz Ebert. “I had the pleasure of inviting Rob to Ebertfest last year, and while he wasn’t able to attend at the time, he shared how much he was looking forward to joining us in the future. To now celebrate his extraordinary body of work and his deep commitment to storytelling feels incredibly meaningful. We are also proud to honor Robert Redford for his immeasurable contributions to independent filmmaking; his vision helped create a path for generations of filmmakers to tell bold, personal stories.”

See Scout Tafoya’s video tributes to Rob Reiner and Robert Redford here.

This last installment of Ebertfest is dedicated to the memory of both Reiner and Redford, two towering figures in the film industry whom Roger greatly admired. Of Redford, Roger wrote, “His Sundance Institute is a workshop where veterans work with young directors, writers, and actors, improving films that often get made and praised. No single person has done more for the independent film movement.” A decade prior to helming “Nuremberg,” James Vanderbilt cast Redford in his own 2015 filmmaking debut, “Truth,” in which the actor portrayed “60 Minutes” anchor Dan Rather. 

Though Roger’s zero-star review of Reiner’s 1994 film, “North,” garnered bemused attention from the masses, including from the director himself, the critic loved a great number of his pictures, including “The American President.” He began his four-star review of that picture by noting, “It is hard to make a good love story, harder to make a good comedy, and harder still to make an intelligent film about politics. Rob Reiner’s ‘The American President’ cheerfully does all three, and is a great entertainment – one of those films, like ‘Forrest Gump’ or ‘Apollo 13,’ that however briefly unites the audience in a reprise of the American dream.”

The majority of individual seating tickets for Ebertfest 2026 are $20, plus a $3 processing fee. Select titles are $10 plus an additional $2 processing fee. A Reserved 1-Day Festival Pass is available for $75.00 plus a $6.00 processing fee. An Individual Reserved Seating Festival Pass, which includes admission to all films, is $150 plus a $9.00 processing fee per pass. 

Ebertfest was founded in 1999 by Roger and Chaz Ebert, with Professor Nate Kohn as Festival Director. Roger Ebert was a Pulitzer Prize-winning film critic for the Chicago Sun-Times, a University of Illinois journalism alumnus, and an Urbana native. Chaz Ebert is also the author of the indie bestseller It’s Time to Give A FECK: Elevating Humanity through Forgiveness, Empathy, Compassion, and Kindness. Ebertfest is hosted by Chaz Ebert and Nate Kohn, the festival director since the very beginning.

To become a supporting Festival Sponsor, please contact Sonia Evans – [email protected].

For additional information, please visit https://ebertfest.com/ and follow us on social media:

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