Sarah Lasley’s sneaky and unsettling “Welcome to the Enclave” starts out looking like an overly corporate and sterile intro video…
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“The Sixth Sense” is the movie that made its writer-director M. Night Shyamalan a cultural force, and he’s been one ever since.…
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RogerEbert.com Co-Founder and Publisher Chaz Ebert recently spoke to journalist Randi Mazzella about her bestselling book It’s Time to Give a…
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Finally, at long last, HBO’s “Industry” will be getting a primetime Sunday-night slot with its third season. First debuting in…
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Congratulations, Mr. Rupert Pupkin. You are definitely one of the creepiest movie antiheroes in the history of cinema, but you…
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Was SDCC ‘Finally Back to Normal’ in a Post-Pandemic World? That’s what SDCC chief communications and strategy office David Glanzer…
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People like to pay a certain amount of lip service to the importance of young people participating in the electoral…
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Your investment in Zack Snyder’s creative vision will likely determine how badly you need to see the R-rated director’s cut…
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The Belfast schoolchildren stand in their classroom, singing “Óró Sé do bheatha abhaile,” a traditional Irish song, in the Irish…
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I didn’t think Doug Liman could deliver a worse film than “Road House,” the plastic, overwrought remake of the 1980s…
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