John Carpenter’s “Starman” has lodged itself in my consciousness since I first saw it in 1984. I was eleven that…
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Even great writers are being defeated by the epidemic of bloated streaming series. Look no further than Netflix’s “Dept. Q,”…
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Chaz Ebert reveals the winners of the 78th edition of the Cannes Film Festival; watch the video and read the transcript…
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When From Software revealed “Elden Ring Nightreign” last year, Souls fans around the world were curious to see what the…
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Some readers may be old enough to remember when every network was actively trying to find the next “Friends,” hiring…
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Tom Quinn and Neon have accomplished something that even Miramax couldn’t in its prime of the late ‘80s and early…
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In past years, Cannes has often prided itself on not making overt political statements. But the wars waging in Gaza…
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Jafar Panahi’s “It Was Just an Accident,” a Death and the Maiden–like drama about a group of Iranians confronting a man whom…
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After my last dispatch’s uncommon thematic synergy, I’ve come back with two films that on their face couldn’t be any…
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This is my first year at Cannes, and while thematic synergy is expected at any given film festival, I’m surprised…
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