After the industry shift due to the 2023 SAG and WGA strikes, Seth Rogen’s “The Studio” arrives as a tribute…
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This year’s Ebert Fellows attended the True/False Film Festival, one of the most essential non-fiction cinema events of the year.…
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Rarely does it matter that Ken Burns’ “Baseball,” an immersive ten-part docuseries about the history of America’s pastime, is built…
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It’s so easy to get cynical about the vaunted “oner.” A staple of 21st-century film and television these days, the…
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Here’s how you know you’re having a bad night: Your boss dies under questionable circumstances during a State Dinner at…
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“Happy Face” tries to be several shows at once. It’s a procedural mystery about unexpected investigators trying to get an…
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A poignant, slow-fading comedy about two teams running out of time, Carson Lund’s “Eephus” chronicles one final game for an amateur…
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Annapurna Sriram’s feature debut “Fu*cktoys,” about a sex worker earning a living while undoing a curse, is farce, psychodrama, theological…
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Few actors can command the screen with such sincerity and passion as André Holland. His visage is a home for…
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When documentaries center on one person, breadth is often sacrificed for depth. Thankfully, for the most part, three docs at…
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