“Bringing Out the Dead” does not assert itself as an obviously religious film. and yet, it is borne from the…
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The Palm Springs International Festival is a major stop on the awards season highway, a place where some of the…
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The 2020s have been prime for Asian-made films and shows that explore the Asian-American experience in unique and captivating ways.…
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Looking over the program for the Tokyo International Film Festival, there were a few titles that I recognized. The idea…
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For those unfamiliar, a landman is the public-facing side of an oil company’s production team; their job is to secure…
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As the United States slowly moves away from Christopher Columbus Day and the myth of Thanksgiving, we have an opportunity…
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Ryota Kondo grew up on horror movies. For the Japanese director, that meant the “J-horror” of the ‘90s and ‘00s,…
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“That’s the ugliest thing I’ve ever seen in my whole life!” a little girl (Bethany Simons-Denville) exclaims. She shouts it…
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Sony has struggled lately to develop new IPs. Almost everyone loves “Astro Bot,” but it says something about the current…
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A good adaptation is multi-dimensional. It requires a convergence of factors that causes audiences to nod in satisfaction. In “Cross,”…
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