Tom Quinn and Neon have accomplished something that even Miramax couldn’t in its prime of the late ‘80s and early…
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In past years, Cannes has often prided itself on not making overt political statements. But the wars waging in Gaza…
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Jafar Panahi’s “It Was Just an Accident,” a Death and the Maiden–like drama about a group of Iranians confronting a man whom…
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After my last dispatch’s uncommon thematic synergy, I’ve come back with two films that on their face couldn’t be any…
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This is my first year at Cannes, and while thematic synergy is expected at any given film festival, I’m surprised…
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The 2025 Cannes Film Festival is underway, and Chaz Ebert is on the ground to report on every development. In today’s video,…
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If you’ve been following along, you’ll notice that most of these capsules have been grab bags that aren’t necessarily linked…
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Much has been made of the length of standing ovations after Cannes screenings, but the most memorable one this year…
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Jodie Foster is known to be fluent in French, but Rebecca Zlotowski’s film “A Private Life,” showing out of competition,…
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The following table of contents contains RogerEbert.com’s coverage of the 2025 Cannes Film Festival, which includes full reviews and festival dispatches…
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