Producer Nina Yang Bongiovi, the BAFTA-nominated producer of such acclaimed films as Ryan Coogler’s “Fruitvale Station,” Boots Riley’s “Sorry to…
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Immediately following the 2pm matinee performance this Sunday, March 26th, of the Lyric Opera’s eagerly awaited trio of new American…
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After two long years, “Succession” is finally back. The prestige drama’s previous season promised war between the Roy siblings and…
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Documentaries have a helluva war to wage against algorithm-fed attention spans, and the glut of documentaries in the streaming era. It’s…
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“Rabbit Hole,” Kiefer Sutherland’s new spy show on Paramount+, has about 24 twists per episode. At one point at the…
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Matt writes: The 95th Academy Awards were a refreshing comeback for the telecast, which reached an all-time low in 2022.…
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We are pleased to offer an excerpt from this month’s issue of the online magazine Bright Wall/Dark Room. Their theme for March…
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Fellow goofballs and fans of irreverent adventure searching for the next “Rick and Morty”-like rush should keep an eye out…
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The first few songs in Hulu’s “Up Here” are like a DIY musical in the worst way—they’re earnest and melody-less,…
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It’s clichéd to say this about someone after they’re gone, but a show or movie changed when Lance Reddick showed…
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