“The French Dispatch,” which showed at Cannes in 2021, was one of Wes Anderson’s most divisive movies. I fell into the…
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The cultural reckoning of #MeToo has made everyone more aware of the common horror of sexual assault (more than 460,000…
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Three young filmmakers from Chicago are traveling to France this week to attend the Cannes Film Festival. As they set…
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After decades of Joe Dante and Chris Columbus’ iconic creations being dead in the sunlight, writer/developer Tze Chun pours fresh…
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RogerEbert.com publisher Chaz Ebert’s third video dispatch from the 2023 Cannes Film Festival, made with Scott Dummler of Mint Media…
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On May 6th, one of the most impressive red carpet events in recent Windy City memory took place at Chicago’s…
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Disney’s live-action remakes of their beloved, animated classics have seemed like a shameless cash grab with uneven results. Rather than…
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Todd Haynes may seem like a highbrow filmmaker, but as a determined deconstructionist of American culture, he has to be…
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Once again, Martin Scorsese has managed to leave his peers in the dust. “Killers of the Flower Moon,” which had…
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Jonathan Glazer’s “The Zone of Interest” opens with a black screen, set to the metallic moan of Mica Levi’s score and…
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