After her impressive feature debut, “Shiva Baby,” director Emma Seligman reconnects with Rachel Sennott for an unhinged comedy like few…
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This movie’s title describes a particular kind of equine gait in dressage. We get to see a version of this…
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Israeli director Guy Nattiv says that people today either have no idea who Golda Meir is or think her career…
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“Ahsoka,” the much anticipated Rosario Dawson vehicle, certainly relies on affinity to previously depicted characters to power its initial emotional arcs.…
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I urge journalists from underrepresented communities: specifically, critics and writers who identify as BIPOC, women, LGBTQ+, and/or people with disabilities to apply…
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We are pleased to offer an excerpt from the latest issue of the online magazine, Bright Wall/Dark Room. Their theme for this…
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Held at Hyde Park’s Polsky Exchange North during the steamy weekend of August 18-20, the inaugural XL Film Festival & Summit 2023…
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Matt writes: I will remember William Friedkin (1935-2023) for many reasons: for leaving me in awe of his immaculate craft…
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Half a century has done little to dull the potency of Tobe Hooper’s 1974 shocker, “The Texas Chain Saw Massacre.”…
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Breathing new life into a classic tale of creation and destruction, Laura Moss’ clever, disquieting debut feature “birth/rebirth” (in theaters…
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