Acclaimed actress/playwright/director Regina Taylor‘s new play, Exhibit, will be staged on Friday, September 8th, and Wednesday, September 13th, as part of…
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The coldness of corporate America is a much-explored cinematic landscape. The hierarchical dynamics within business spaces lend plenty of opportunity…
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Jenn Wexler makes movies for the demonic teenage girl within. Her first feature, 2018’s “The Ranger,” combined her love of…
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At this year’s Toronto International Film Festival (“TIFF”), RogerEbert.com publisher Chaz Ebert and TIFF Director Cameron Bailey will be presenting the TIFF…
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One of my greatest festival discoveries in the years I have covered Fantasia online and in person was Junta Yamaguchi’s…
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Ira Sachs is one of American cinema’s most reliable crafters of human-scaled cinematic dramas. That description doesn’t sound too terribly…
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“I know you are, but what am I?” wasn’t just some line from a movie. Growing up in the late-’80s…
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Molly Haskell wrote of the 1978 Claudia Weill movie “Girlfriends,” one of my favorite films of all time: “We’re currently…
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Late in Season Two of FX’s brilliant “Reservation Dogs,” Willie Jack (Paulina Alexis) visits her late friend’s mother (Lily Gladstone)…
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Edward Robles’ “TESLA” is not a commercial. It’s the opposite. Not that these cars are yet capable of what happens…
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