One of the many admirable qualities of “After (A Love Story)” is how a 14-minute short about a therapy session…
Read More →
In the early 1990s, you couldn’t go to your local cineplex without tripping over half a dozen scrappy kids’ sports…
Read More →
Music sets the mood at Ebertfest… Live musical performances have become a key highlight at Ebertfest, and this year’s installment running…
Read More →
Did you ever hear the one about the boy who feared his mother? “Beau Is Afraid” tells this joke for…
Read More →
Wilmer “Bill” Butler, the cinematographer who will forever be linked with his work on “Jaws” (1975), left us on April…
Read More →
“Sam Now” is a gentle, empathetic movie that will be unbearably intense for viewers who fear abandonment, but that might…
Read More →
This year’s edition of the Ebert Symposium, entitled, “Documentary, Violence and the Media,” will precede Ebertfest at the University of Illinois…
Read More →
“How to Blow Up a Pipeline” is one of the most original American thrillers in years, and one that draws…
Read More →
It’s incredibly challenging to separate Bob Ross from “Paint.” Yes, Owen Wilson has the same afro, the pillowy whisper, and…
Read More →
Maybe it’s because I think “The Twilight Zone” is one of the best television shows of all time, but I’m…
Read More →