At the New York Film Festival, the spotlight is often on those calling the shots behind the camera. If directors…
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Lil Rel Howery, who broke into big-screen acting as the comic relief in “Get Out” and has been expanding his…
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It takes a moment, or even a while, before the Bollywood spy drama “Khufiya” gets going. The first 70 minutes…
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Terence Davies was once called “the keeper of British cinema.” He kept it well. It felt like watching a film by Terence…
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“Cat Person” shows the dangers of getting involved with a man whose idea of romance is Han Solo kissing Princess…
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The great William Friedkin’s final credit will be on this weekend’s excellent adaptation of “The Caine Mutiny Court-Martial,” a Showtime/Paramount+…
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“The Exorcist: Believer” is a pretty good movie that’s so stuffed with characters and not-quite-developed ideas that you may come away from it…
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Readers of this site may be more familiar with the Michael Fassbender film version of “Assassin’s Creed”—one of the worst…
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Wes Anderson has claimed recently that he does not have an aesthetic. That’s perfectly fine for him to deny, just as…
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Matt writes: All of us at RogerEbert.com are pleased to welcome Robert Daniels as the new Associate Editor of our site.…
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