The coldness of corporate America is a much-explored cinematic landscape. The hierarchical dynamics within business spaces lend plenty of opportunity…
Read More →
Jenn Wexler makes movies for the demonic teenage girl within. Her first feature, 2018’s “The Ranger,” combined her love of…
Read More →
At this year’s Toronto International Film Festival (“TIFF”), RogerEbert.com publisher Chaz Ebert and TIFF Director Cameron Bailey will be presenting the TIFF…
Read More →
One of my greatest festival discoveries in the years I have covered Fantasia online and in person was Junta Yamaguchi’s…
Read More →
Ira Sachs is one of American cinema’s most reliable crafters of human-scaled cinematic dramas. That description doesn’t sound too terribly…
Read More →
“I know you are, but what am I?” wasn’t just some line from a movie. Growing up in the late-’80s…
Read More →
Molly Haskell wrote of the 1978 Claudia Weill movie “Girlfriends,” one of my favorite films of all time: “We’re currently…
Read More →
Late in Season Two of FX’s brilliant “Reservation Dogs,” Willie Jack (Paulina Alexis) visits her late friend’s mother (Lily Gladstone)…
Read More →
Edward Robles’ “TESLA” is not a commercial. It’s the opposite. Not that these cars are yet capable of what happens…
Read More →
A surprise feature film is a bit of a contradiction in terms, but it does sometimes happen, with Beyoncé’s anthology…
Read More →