Andy Kaufman doesn’t want you to watch his biopic. At the start of “Man on the Moon,” Kaufman (played by…
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Minhal Baig’s “We Grown Now” is a film masterfully tied to the emotive potential of place. A period piece centered…
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Will there ever be a version of “Rebel Moon—Part 2: The Scargiver” that makes the movie and its franchise seem…
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Set in 1992 in the northernmost United States, where criminals run drugs and guns over the border with Canada, “Blood for…
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It’s hard to think of a contemporary mainstream male filmmaker who consistently writes better female characters than Alex Garland. Before…
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“What made you talk to them?” “Still kinda putting that together in my own mind.” That really is the impossible…
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For the past twenty-five years, Chaz Ebert and the College of Media at the University of Illinois at Urbana-Champaign have hosted…
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The fact-based “Hard Miles” begins with a failure. Social worker Greg Townsend (Matthew Modine) urges a judge to allow the…
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At the end of “The Beekeeper,” an amazing thing happens: they fade to black and roll the credits. I saw the…
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“The Hands of Orlac,” a twisty and lurid 1924 Austrian psychodrama, was the last movie I saw in New Orleans…
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